This MacGyver-like capability to use technology to set traps for the bad guys is part of the core fun of Watch Dogs. He can turn all the signals to “green” at an intersection and cause a huge wreck as a diversion. When cops are chasing him, he can activate road blockers that the pursuing vehicles will crash into. He can intercept phone calls, listen to voice mail, hack bank accounts, or use security cameras to spy on bad guys. He breaks into neighborhood control centers and then uses the infrastructure for his own purposes. Pearce uses his smartphone to hack into ctOS, the city operating system that controls the infrastructure of the realistically rendered Chicago. It was like there was some new big thing every week.” But now you have the timing of the NSA leaks, the Edward Snowden affair. With Julian Assange, we already knew he was part of the picture. Where I had no idea that it would go so deep is the timing of all that news, though. I think it’s natural that reality has caught up.
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They have a whole set of interesting TV spots that talk about services and urbanism. They have an entire department, almost a governmental movement, that’s sending choppers to deal with accidents and stuff like that.
“We looked a lot at what Dubai was doing five-and-a-half years ago. “IBM doing smart cities, we knew about that a long time ago,” Morin said. And the downside of excessive monitoring has become more obvious with Edward Snowden’s leaks of spying by the National Security Agency. Now they’re becoming a reality as companies like IBM make them into a centerpiece of their technology services. When it was conceived, smart cities were a vague notion. The subject matter has also become much more topical. Or you can be a bad Aiden, slaughtering criminals in the name of vigilante justice. You can be a good Aiden, solving crimes and rescuing people from bad guys. You play as Aiden Pearce, a hacker who brings his own street justice to the city of Chicago. Watch Dogs is a unique experience in video games, with gameplay that is a mix of the open world of Grand Theft Auto and the gadget-driven stealthiness of Splinter Cell. We have tweaked things and are pretty happy with where it is.” “We’re almost done,” said Jonathan Morin, the creative director, in an interview with GamesBeat.
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